Sunday, May 21, 2017

Great Speeches by Native Americans

Frozen in Time: Examining Historical Speeches from Influential Native American Leaders



© 2017 Haley Rains Photography 

Organization:

Date of Assignment: April 11th, 2017
Title: Frozen in Time: Examining Historical Speeches from Influential Native American Leaders
Book: Great Speeches by Native Americans 
Chapters: "With such people I want no peace"; "Thy mother doth complain, implores thy aid against this thievish people new come hither"; “You have got our country, but are not satisfied; you want to force your religion upon us”; "The English who came first to this country were but a handful of people"
Author’s Full Name: Edited by Bob Blaisdell 

Background Research:


About this book:

Great Speeches by Native Americans is a book composed of 82 speeches that occurred over the span of five centuries by famous American Indian leaders like Tecumseh, Crazy Horse, Red Jacket, Sitting Bull, and many others. 

Summary Paragraph:

Three significant ideas:

1.   The great speeches by these American Indian leaders employed the use of metaphors and imagery to capture their audiences and spark social revolutions.

2.   The speeches serve as evidence of the brilliant and eloquent thinking of American Indians during a time when they were treated as having less than intelligent thought and comprehension.  

3.  Great Speeches by Native American Leaders is a testament to the power of the Oral Tradition. 

Three Key Moments in Plot:

1.   In "With such a people I want no peace" Timucua is challenging the notion of European valor and civility while pronouncing his refusal to accept the overthrow of his people. Acuera (Timuca) warns, "As for me and my people, we choose death -- yes! a hundred deaths -- before the loss of our liberty and the subjugation of our country" (3).

2.   In "The mother doth complain, implores thy aid against this thievish people new come hither" Chikataubut (Massachuset) shares a vision he had in which a spirit visits him and expresses its worry about the "wild people" (Europeans) who have "[disdained] our ancient antiquities, and honorable customs" (5) Of course, this is in response to the disregard on the part of the European settlers to recognize and respect the traditional culture and customs of the Indigenous American Indian population onto wich they imposed themselves.

3.    I found it interesting that throughout Red Jacket’s (Seneca) speech, “You have got our country, but are not satisfied; you want to force your religion upon us” in which he addressed a missionary that came to convert the Seneca to Christianity, Red Jacket repeatedly refers to the missionary as, “Brother”; this is evidence for the remarkable amount of integrity that Red Jacket possessed, despite living in a time of extreme adversity. Red Jacket eloquently depicted the frustration he experienced when trying to understand why, after losing his land and his people to Europeans, missionaries wanted to force their religion (Christianity) upon them as well. Red Jacket was courageous as he justly interrogated the missionary and tried to understand his motives for converting Red Jacket’s people to Christianity. Christianity made little sense to Red Jacket; the Seneca had their own religion and their own idea about a creator and it reflected their way of life and their connection to the Earth. Why did the missionary dismiss that? Red Jacket even suggested that followers of Christianity fail to agree unanimously on what exactly being a Christian means. Throughout his speech, Red Jacket remained composed and respectful of the missionary as he intelligibly stated the needs and beliefs of his people. I was moved by his appeal to the missionary; his efforts to protect his people and their way of life were genuine and deserving of great honor. 


The Significant Ideas (Poetry):

1.   Throughout the book, Native American leaders use imagery and metaphors which increase the impact of their messages. Using vivid imagery that depicts the world around them, They articulate beautifully their positions in a way that is true to their oral traditions and storytelling. 

2.   By employing personification in their speeches, the Native American leaders do an outstanding job at emphasizing the importance of land in relation to their culture. Using this approach, the leaders were able to humanize themselves in a way that challenges the notion that it is acceptable to remove Native American communities from their homeland and impose European culture on their ways of life.

3.    The leaders were able to appropriate a language that is not their own and integrate their traditional forms of storytelling and tribal traditions with formal European speaking and writing conventions to construct and deliver speeches that made an undeniable impact on the course of their tribal histories. 

Oral Tradition:

       Native American cultures employ storytelling and oral tradition to teach lessons about morality as well as instructions on navigating the world around them, which is why Great Speeches by Native Americans is so remarkable; it is a testament to the way in which Native Americans were forced to appropriate and selectively assimilate the tools of a society that sought (and seeks) to oppress and marginalize them. 

        The Indian writer Raja Rao's in his preface to Kanthapura wrote, "The telling has not been easy. One has to convey in a language that is not one's own the spirit that is one's own. English is not really an alien language to us. It is the language of our intellectual make-up but not of our emotional make-up" (Rao). This is the challenge these Native American leaders were faced with. Being colonized people seeking justice, they were compelled to do so by way of the language of the colonizer -- a monumental task. 


Literary devices:

Theme:

Great Speeches by Native Americans contains several reoccurring themes including racism, colonization, hate, fear, hopelessness, despair, and courage. The most remarkable theme that we see throughout the book is resilience. By preserving these great speeches, the way in which these tribal leaders and communities honorably resisted and tirelessly combated the destruction of their worlds against opposing forces has been solidified in history. 

Voice:

The structure, syntax, and impeccable command of the English language on the part of the Native American leaders initiated the dismantling of an imposed American cultural identity by employing traditional methods of storytelling to regenerate and preserve their cultures. 

Additional literary devices:

In "With such a people I want no peace," Acuera uses a metaphor to describe the destructive nature of European colonization; he declares, "Other of your accursed race have, in years past, poisoned our peaceful shores" (3).

He also uses imagery to warn European settlers of what they will encounter if they continue to impose their way of life on his community: "Every captive will we quarter and hang up to the highest tree along the road" (3).


Digital Media:

https://youtu.be/Zxp2M3ewdGg

This video is a reading of Acuera's "With such a people I want no peace" as well as a commentary on the powerful nature of the speech. The video also contains a brief introduction to the background of Acuera and his speech.

Work cited:

Blaisdell, Robert. Great Speeches by Native Americans. Courier Corporation, 2000.

Rao, Raja. Kanthapura. Vol. 224. New Directions Publishing, 1967.


Thursday, May 4, 2017

↞The Lone Ranger and Tonto Fist Fight in Heaven↠

Sherman Alexie and the Role He Plays in the Oral Tradition



©2017 Haley Rains Photography



Organization:

Date of Assignment: March 14th, 2017
Title: Sherman Alexie and the Role He Plays in the Oral Tradition
Book: Lone Ranger and Tonto Fistfight in Heaven
Chapters: Every Little Hurricane; This is What is Means to Say Phoenix, Arizona; The Only Traffic Signal on the Reservation Doesn't Flash Red Anymore; The Approximate Size of My Favorite Tumor
Author’s Full Name: Sherman Joseph Alexie, Jr.

Background Research:


About Alexie:

Alexie is a member of the Spokane/Coeur d’Alene tribe and grew up on the Spokane Indian Reservation in Wellpinit, Washington. He attended Gonzaga University in 1985 and transferred to Washington State University in 1987 where he began writing poetry and short fiction.
Alexie suffered from health issues early on in his life which drove him to be somewhat introverted and inspired a life of reading and studying. Alexie’s childhood was far from perfect since, according to New York Times writer Timothy Egan, “Both his parents are alcoholics, one recovering, one not” (Egan). According to Egan, Sherman is the first member of his family to move away from the rez, as tribal members call it” (Egan).
Alexie’s writing inspired the “first Indian-produced, Indian-directed, Indian-written feature film” (Egan).
Today, Alexie is a poet, novelist, comedian (performer), and filmmaker and currently lives in Seattle, Washington with his wife and two sons. 


Summary Paragraph:

Three significant ideas:

1.   In his work, Alexie touches on the issues that plague many American Indian reservations. Alexie writes about the hardships that many American Indians experience as a result of poverty like alcoholism, addiction, suicide, unemployment, and dysfunctional family life.
2.   Alexie's characters try to live their lives despite being the products of a marginalized population with very little hope of ever escaping their oppressive environments
3.   Alexie, like many Native writers and artists, uses his ability to share engaging stories as a way to transmit information about the world around him; thus, the oral tradition.

Three Key Moments in Plot:

1.   In "Every Litte Hurricane," Alexie writes about the violence that his character, Victor, witnesses regularly. Alexie uses vivid imagery to describe the drunken altercation that takes places between two of his uncles, Adolph and Arnold
2.   "This Is What It Means to Say Pheonix, Arizona" provides an intimate window into the lives of the two young Native men, Thomas and Victor, and how their unlikely friendship spawns through the tragedy of Victor's father's passing. This story is particularly touching because of the changes that Victor experiences while he is trying to process the loss of his father.
3.   In “The Approximate Size of My Favorite Tumor,” Alexie shares the way in which Jimmy and Norma deal with Jimmy’s terminal cancer prognosis, thus allowing us to see the unique way in which these tribal members process the experience of loss and death. 


The Significant Ideas (Poetry):

1.   Alexie uses imagery, metaphors, similes, personification, and idioms to depict the world around him.
2.   His abrasive nature of writing and his witty one-liners all tell the story of a frustrated Native American individual trying to navigate the world in his own way.
3.   He combines traditional forms of storytelling and tribal traditions with formal writing conventions to create a hybrid style of writing, which ultimately contributes to the original and authentic voice from which he writes.

Oral Tradition:

I appreciate Alexie for the contribution he has made to American Indian literature and the oral tradition. I think he provides a valuable insight into the life of an American Indian while showcasing the multitude of talents that American Indians possess—particularly their talent for storytelling.
  According to Alexie, ''Most of that stuff I write about happened to me or somebody I knew'' (Egan). Alexis is a new breed of Indigenous writers and has, in his own way, carried on the form of storytelling and oral tradition; he just possesses his own ideas and interpretations of what it means to be a modern Native American.

Literary devices:

Theme:

Alexie’s book contains several reoccurring themes including racism, love, hate, alcoholism, hopelessness, despair, courage, and resilience. Many of his chapters drag us, as readers, through a rollcoaster of emotions; worry, laughter, sadness, and awe. 

Voice:

If you look at the structure, syntax, punctuation, dialogue style and overall character development within Alexie's novel, you can see how he created a voice that is unconventional and authentic. He shattered typical writing styles in order to create his own voice. 

Additional literary devices:

Alexie uses Foreshadowing in "The Approximate Size of My Favorite Tumor" to imply that, even though Norma has left Jimmy, she will return to him because their love is stronger than any other emotion they are experiencing. 

He also uses hyperbole when describing this interaction in "The Only Traffic Signal on the Reservation Doesn't Flash Red Anymore":

"While I still held that pistol to my temple, I used my other hand to flip Adrian off. Then I made a fist with my third hand to gather a little bit of courage or stupidity and wiped sweat from my forehead with my fourth hand" (43).

Digital Media:

https://youtu.be/uwcJaUaVfR0

This clip from Smoke Signals (1998) encompasses the conflicting nature of Native Americans trying to live off of the reservation. Victor and Thomas feel the pressure to conform to a circumscribed identity in which they're supposed to be stoic as if they've been "hunting buffalo," but Thomas shatters this misconception with the comment about his tribe never having been buffalo hunters. He shares that Thomas and Victor belong to a tribe that relied on fishing as their main source of sustenance. The irony is that anyone outside of their reservation is probably not aware of this fact. This video captures the essence of Alexie's complex characters in The Lone Ranger and Tonto Fist Fight in Heaven

Sherman Alexie's Facebook page:

https://www.facebook.com/ShermanAlexieAuthor/


Work Cited:

Alexie, Sherman. Lone Ranger and Tonto Fistfight in Heaven. N.p.: Open Road Media, 2003. Print.

Egan, Timothy. "An Indian Without Reservations." The New York Times. The New York Times, 17 Jan. 1998. Web. 1 Apr. 2017.

"Sherman Alexie." Poetry Foundation. Poetry Foundation, n.d. Web. 1 Apr. 2017.

Signals, Smoke. "Chris Eyre." Film. Miramax Films (1998).